I’ve been reading the report prepared by R2 Consulting for the Library of Congress, Study of the North American MARC Records Marketplace. I’m left wanting more. As Diane Hillmann notes in her commentary, it has a certain fascination as a snapshot in time. Which, really, is what they were commissioned to do. But I would like to have seen more discussion of moving forward.
I’ve never staked a claim in the “MARC must die” camp, but in the era of Web2.0, mashups, and massive reuse of data, MARC looks increasingly geriatric. Clinging to MARC isolates the cataloguing community as other metadata activities move to various flavors of XML. The report makes a passing mention of MARC crosswalks, but doesn’t seem to think there’s a future there. Maybe there isn’t, but attempting to keep MARC going for another 40 years isn’t the answer either. No mention is made of OCLC’s Next Generation Cataloging project. Whatever your opinion of the Big O (and let’s be honest, we all have at least one…), I think this is absolutely a step in the right direction. Getting our knowledge and experience, together with some understanding of the needs of libraries, into the metadata stream at the beginning rather than the end can be a benefit to everyone, as can moving to a common metadata format. If you haven’t seen it, Renee Register’s presentation from Midwinter 2009 is worth a look. The short version: crosswalking from publisher to library systems can be done successfully, and we have a lot to contribute.
That’s the long-term, but what about now? I don’t really buy into some of the poor LC tone. Yes, LC’s tech services budgets have been cut and their staffing reduced. Welcome to our world. Nor do I entirely buy the “if only you’d all stop leaning on us” argument. LC began creating the very reliance they’re now lamenting on the day they started selling printed cards. I’m sure it would be better for LC if they could charge what it costs to create rather than distribute the record. Being the Library of Congress, though, they might know a few people who can change the offending 1902 statute. The impact of that would not be trivial, but LC isn’t, in terms of their own mandate, obligated to provide free cataloguing for the rest of the world.
All of that said, I do think that we need to take a hard look at what we’re doing and ask if it’s the right thing. According to R2′s survey, 80% of libraries are still editing records for English-language monographs. There’s another level of questions in that statistic: chiefly, why? In some cases, the editing is necessary (Level 3 records, anyone?). In others, maybe not. Another question: what is being edited? Are we adding or fixing things that make a difference to access? Or, are we checking call numbers on our shelf-ready books and re-Cuttering in an effort to keep the shelflist pristine? If that’s the case, it’s time to let go…our users don’t care if “Adams” and “Adamson” aren’t in perfect order (and probably have no earthly idea how shelflisting works anyway).
At the same time, the survey results show backlogs growing in more than half of responding libraries, and growing in nearly every category among academics. I question R2′s inclusion of video and sound recordings as “mainstream” since they, like scores and other special formats, often demand more experience than is usually true with books. But again, there’s a whole stack of questions that need to be asked in order to really understand the backlog question. The implication seems to be that we’re all editing the same mainstream stuff. Maybe so. Maybe backlogs are growing because our workflows need to be rethought. Maybe they’re growing because we lack expertise in certain areas.
Enter the vendors… What can I say, “vendors” is such a large bucket that it’s difficult to draw too many conclusions. Used wisely, vendor services can be a great help. At McMaster, we’ve contracted with OCLC to handle our foreign language monographs. We get excellent records, fast service, and fully shelfready books. It works because we trust them to deliver a good product. Shelfready from our English-language vendors is good enough that we don’t do extensive checking, but is not without the occasional hiccup. I suspect when many of us in the cataloguing world hear “vendor” we equate it with the aforementioned Level 3 records. We shouldn’t. Vendors can be a tremendous help in areas where we lack knowledge or experience. And the costs generally aren’t outrageous, we’re just less accustomed to seeing them in that way.
But again, there’s a caveat. Vendors are not a magic bullet and the key is using them wisely, not blindly. For our part, we have to work with our vendors to build the sense of trust (and quality, if necessary) to make their services worthwhile. There’s little point in using a vendor if we second-guess everything they do. For the vendors: stop trying to own the records. We paid for them, either in hard currency or in time spent creating them (or both, if you consider OCLC membership fees). We have neither the time nor the inclination to police the use of records from our catalogues. Both sides need to take a step back and accept that the world has changed. We’re not quite to the level of radical trust yet, but maybe we can get there if we all work together.